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Six months ago, 27-year-old Marling was just another hopeful, living in shared digs with two screenwriter friends, trying to find a distributor for two micro-budget movies which were all that stood between her and a role in torture porn.Then both films, Another Earth and Sound of My Voice, got accepted at Sundance where they were picked up by Fox Searchlight.“This is it—this is the New York view.” Marling steps down from the bench, arranges her pale-pink silk skirt and blouse, and settles in front of a table full of pastries from Tu-Lu’s Gluten-Free Bakery ordered up specially for us.(A few years ago an herbalist suggested going gluten-free might help chronic health issues.No wonder she flips it."The thing that is so crazy about it is that you are the same person before and after," she says. You are the same person who could not audition anywhere in town and nobody would hire you to do anything, and now suddenly you can read some of the best scripts that are being written. I'm still trying to wrap my head around that."To get the obvious out of the way: she is extremely beautiful, with sky-blue eyes and long, fine, blonde hair of the kind rarely seen outside ads for conditioner, exuding a kind of alt-rock singer-songwriter vibe that pulls her towards paisley and floppy hats. Crippled by guilt, she dreams of escape to the second planet Earth that has been discovered, where there are exact replicas of every single person.She's like a Manhattan-era Meryl Streep, reinvented for the Wikileaks generation, holding forth on a variety of subjects – from the invention of the light bulb to the macro-economics of the paper napkin in front of her – with the high-flying radicalism of youth and consistent bookworm-in-the-limelight amazement that the world is paying her any attention at all. An unabashedly cerebral film which takes on some chewy subjects – guilt, atonement, self-absolution – it nevertheless casts an undeniable spell, not least in the consonance it establishes between that second Earth hanging there in the sky like a vast pale moon, and the yearning in Marling's beautiful, upturned face.I had met a young woman at a party once, quite randomly, like maybe a decade ago, who described to me a near-death experience she had. Batmanglij: I think there were a lot of things that were interesting at the time we started this story.
“The actual conversation we’re having right now: HAIR STYLIST: “Is it small enough? So incredible, in fact, that she’ll only share it with a small group of teenagers and a high school teacher — not even her adoptive parents, who’ve spent the intervening years desperately searching for her.This is “The OA” — Netflix’s mysterious new drama, written and produced by Brit Marling and Zal Batmanglij, and starring Marling as the titular character, who once went by the name Prairie but now calls herself “The OA.” It’s a tale woven with near-death experiences, mystical adventures, and a torture-laden kidnapping — even as the characters bond over their mutual yearning for any sort of human connection. The ladies stepped out at the annual awards ceremony held at the Hammerstein Ballroom on Monday (June 5) in New York City.Before the event, Olivia took to her Instagram to share a behind-the-scenes photo while getting ready. ” ME: “I think maybe it’s my head that’s off-center.” #cfda awards #realconversation,” she captioned the image.
The 31-year-old actress, in the city for the premiere of her latest movie, I Origins (out July 18), is standing on a bench at the rooftop bar of the Conrad hotel.